Preity Zinta felt ‘cultural shock’ after comeback: got angry on paparazzi and social media, said – now one has to be sad even after being fashionable


Bollywood actress famous as Chulbuli and Dimple Girl. Preity Zinta Once again, she is all set to spread the magic of her acting on the big screen. After staying away from the glare of cinema for a long time after marriage and spending time with family abroad, Preity has recently made a grand comeback in Bollywood. While the audience is excited to see her on screen again, Preity Zinta herself is surprised to see the changed ways of the industry.

his upcoming spy comedy film ‘Vibe’ In an interview during the promotion of Preeti, she talked about the ‘cultural shock’ and aggressive behavior she faced after returning to films. Paparazzi Culture But he vented his anger openly. He candidly admitted that in today’s era, an actor’s life is no longer limited to just acting in front of the camera, but the hustle and bustle around it has become many times more stressful.

In an interview, when Preity Zinta was asked what was the biggest cultural change that she saw when she returned to the set after so many years, she clearly said that the shock was not inside the films, but in the environment created around the films:

  • Work not limited to just sets: Preeti said, “The biggest culture shock for me is not about films, but about things outside the films. The constant presence of paparazzi and undue interference of social media is the biggest challenge. In earlier times, we used to go straight to the set, give our shot, finish acting and return home.”

  • Airport look and fake looks: He sarcastically said, “In today’s times, how you dress has become more important than acting. Everyone’s attention is on your ‘airport look’. Even if you are sad, you have to look fashionably sad, and if you are happy, you have to be fashionably happy.”

  • Pressure to give opinion on every issue: He also added that if any incident happens in the country today, actors are expected to have complete information, comment on it and say exactly the right thing. Today, there is a huge pressure on artists to look perfect and amazing all the time (Optics Pressure).

After the film ‘Bantwara 1947’ with Sunny Deol, now Preity Zinta will star in director Kunal Khemu’s comedy-action film. ‘Vibe’ Will be seen in the lead role. Preeti has starred in this film which is going to hit the theaters on September 18. ‘Madam H’ She plays the role of a flamboyant spy, who trains two clumsy friends for a secret mission:

  • Action avatar for the first time: Preeti said that she has played many out-of-the-box characters throughout her career – be it the role of an unwed mother in ‘Kya Kehna’, a CBI officer in ‘Sangharsh’ or the story of ‘Chori Chori Chupke Chupke’. But he had never tried his hand in the action genre.

  • Strengths of the script: He said that today is the era of women-centric action films, but it can be successful only if the story and script are strong. Under the guidance of stunt director Parvez Shaikh, he himself executed the difficult action scenes of the film.

The 51-year-old actress also clarified that she is no longer a part of any rat race and will work only on projects of her own pace and choice. Talking about the ups and downs of films at the box office, he said:

  • Trust in hard work: Preeti believes that the job of any artist is to work sincerely and give one’s best, the results should be left in the hands of the public.

  • Appeal to the audience to go to theatres: He appealed to the audience that if they expect good films, they should go to theaters and watch films. People often say that good films do not come to theatres, but if the audience will not buy tickets and reach the theaters, then how will the makers make such films?

This frank statement of Preity Zinta has started a new debate on social media and Bollywood circles. Many fans and celebrities have supported his stance that paparazzi and social media trolling have severely affected the personal freedom and mental peace of artists.